tag:blogger.com,1999:blog-21199441037457182892024-03-19T08:26:48.354+01:00occhio sulle espressioniocchio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.comBlogger368125tag:blogger.com,1999:blog-2119944103745718289.post-5079316313946154162020-08-23T00:28:00.005+02:002020-08-23T00:29:47.002+02:00un'altra danza di scheletro<p><span style="font-family: arial;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtgxPrfmx9powwp3-bpEwS0CNRxfi4_K3woOCHTkktUmqyV7zRDsjRBfFjHJ-3OR9S2tsET87UZgcZrFK7HJ6peEdnqOtg4htsIghPqgsKzVYf761dryMpO1nS6ZtccfC1AHPnRtL65rc/s942/Le+squelette+joyeux.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="704" data-original-width="942" height="157" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtgxPrfmx9powwp3-bpEwS0CNRxfi4_K3woOCHTkktUmqyV7zRDsjRBfFjHJ-3OR9S2tsET87UZgcZrFK7HJ6peEdnqOtg4htsIghPqgsKzVYf761dryMpO1nS6ZtccfC1AHPnRtL65rc/w210-h157/Le+squelette+joyeux.JPG" width="210" /></a></b></span></div><span style="font-family: arial;"><b>Le squelette joyeux</b><br />1898<br />Francia<br />Regia: Louis Lumière</span><p></p><p>Una gioia che si scompone: segno di bene o di male?</p>occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com8tag:blogger.com,1999:blog-2119944103745718289.post-24050573891955984872020-08-19T01:05:00.004+02:002020-08-19T01:07:53.275+02:00turbolenze<p><span style="font-family: arial;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5rQUXojzKQeGsO_l1-WSyAiTbiJ8VsP0nT8vZwc7DJOFrSs9JKojKKDS1PSJ2B8daOciHPvDjelSMf1r9eFWDlt6OtwuAGicE_THJ9zg-2qsO4tuCxphBy5g144HQJQ6QPn64eYLevEU/s937/A+Dreadful+Night.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="717" data-original-width="937" height="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5rQUXojzKQeGsO_l1-WSyAiTbiJ8VsP0nT8vZwc7DJOFrSs9JKojKKDS1PSJ2B8daOciHPvDjelSMf1r9eFWDlt6OtwuAGicE_THJ9zg-2qsO4tuCxphBy5g144HQJQ6QPn64eYLevEU/w210-h161/A+Dreadful+Night.JPG" width="210" /></a></b></span></div><span style="font-family: arial;"><b>A Dreadful Night</b><br />1905<br />Francia<br />Regia: Segundo de Chomón</span><p></p><div style="text-align: justify;">La notte genera buffi fantasmi, anche in forma materiale, pure umana. E anche cataclismi.</div>occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com6tag:blogger.com,1999:blog-2119944103745718289.post-88464993550870793922020-07-22T00:24:00.002+02:002020-07-22T00:24:48.068+02:00il colore inatteso<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdJ_Y-wjw0lwQCV94HrDKWyqPllZNZDouDL8J5PxCV5mjH-XKZrE3jIVkRSaO4kdTLQiFkWCH278g7s7ttH7C4Q8AgT8_FaIOz9Z38lvNRbQmOZxT1DkQFIIQDO-51-GOD9CHOrmGWH7A/s1600/La+f%25C3%25A9e+printemps.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="710" data-original-width="1068" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdJ_Y-wjw0lwQCV94HrDKWyqPllZNZDouDL8J5PxCV5mjH-XKZrE3jIVkRSaO4kdTLQiFkWCH278g7s7ttH7C4Q8AgT8_FaIOz9Z38lvNRbQmOZxT1DkQFIIQDO-51-GOD9CHOrmGWH7A/s200/La+f%25C3%25A9e+printemps.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>La fée printemps</b> <br />1902<br />Francia</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Regia: Segundo de Chomón</span><br />
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Una buona azione porta a genesi inaspettate, con presenza di allegoria.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com2tag:blogger.com,1999:blog-2119944103745718289.post-90155129204043149212020-07-19T01:33:00.001+02:002020-07-19T01:33:48.814+02:00nascita e cambiamento<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNEeBF7-xqFffseLKzIjqELP-a8S0K4z0tPOCmsWHqBnfcsgLxf6PsO0hiWEEvt0Pbd8OHXxJaJp1d4ZpzpO1w8Li6KTdEP5jc9QPcCilI_0OkVScAsMMO9hhJUGfQUJv3fm6M0TsXI-4/s1600/Les+cartes+vivantes.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="657" data-original-width="878" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNEeBF7-xqFffseLKzIjqELP-a8S0K4z0tPOCmsWHqBnfcsgLxf6PsO0hiWEEvt0Pbd8OHXxJaJp1d4ZpzpO1w8Li6KTdEP5jc9QPcCilI_0OkVScAsMMO9hhJUGfQUJv3fm6M0TsXI-4/s200/Les+cartes+vivantes.JPG" width="200" /></a></div>
<b><span style="font-family: Arial, Helvetica, sans-serif;">Les cartes vivantes</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;">1905</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Francia<br />Regia: Georges Méliès</span><br /><br />
<div style="text-align: justify;">
Dal fuoco, da un numero (?) ella si genera. Da lei poi viene lui; che siamo noi.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com0tag:blogger.com,1999:blog-2119944103745718289.post-5870527201410467362019-09-14T00:51:00.001+02:002019-09-14T00:59:38.320+02:00amore coniugale<div class="separator" style="clear: both; text-align: center;">
</div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSx-NTohKR2DFqNelMES_C5u-pTq0C94Ei2G_R0fP1_V1z0wCNnsq2Ed82I5rNvdfNO02HvRkhs7_gxp3Me2sbSRMhvT2Ms-pT0ibffJ2GSGG9NFz6IvQjeRSzAj0NOI8st_UpTBxhrek/s1600/Suicidio+perfetto.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1561" data-original-width="1181" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSx-NTohKR2DFqNelMES_C5u-pTq0C94Ei2G_R0fP1_V1z0wCNnsq2Ed82I5rNvdfNO02HvRkhs7_gxp3Me2sbSRMhvT2Ms-pT0ibffJ2GSGG9NFz6IvQjeRSzAj0NOI8st_UpTBxhrek/s200/Suicidio+perfetto.jpg" width="151" /></a><b><span style="font-family: "arial" , "helvetica" , sans-serif;">Suicidio perfetto</span></b><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">(Tratto da <b>Horror</b> numero 9 anno 2)</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Carlo Alvarez, Antonio Sciotti</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Sansoni</span><br />
<br />
<div style="text-align: justify;">
Una soffiata di EC Comics, di arrivismo e di orgoglio, miscelata ad una confezione sessantiana.</div>
<div style="text-align: justify;">
Commenti finali e plauso per via dell'odiosità dei protagonisti.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com135tag:blogger.com,1999:blog-2119944103745718289.post-13441785180055362932019-08-23T23:35:00.002+02:002019-08-23T23:36:45.465+02:00corsi e ricorsi storici<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD8LIrfyGCnXiVMOitDaxPI0fDKwezfHYRpk4e77df_csdbErx3Kf0Vzp40DFNkBv29t-toy6mbs0Z3ALQhHxlw0wbjRhzKzav9kknS2GrwiVAtfjMGRc3QE-xBdmjO4FYS8hA_65hsJA/s1600/Morte+senza+fine.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="748" data-original-width="567" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD8LIrfyGCnXiVMOitDaxPI0fDKwezfHYRpk4e77df_csdbErx3Kf0Vzp40DFNkBv29t-toy6mbs0Z3ALQhHxlw0wbjRhzKzav9kknS2GrwiVAtfjMGRc3QE-xBdmjO4FYS8hA_65hsJA/s200/Morte+senza+fine.jpg" width="151" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Morte senza fine</b><br />(Tratto da <b>Horror numero 2 anno 2</b>)<br />Michele Gazzarri, Sergio Zaniboni </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Sansoni</span><br />
<br />
<div style="text-align: justify;">
Mai doma, nei secoli, la brama di dominio sull'esistenza dell'essere umano, che non vuole sottostare a nessun destino. Anche nelle intenzioni più benevole, si va a scontrare con i più diabolici giochi di potere.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com5tag:blogger.com,1999:blog-2119944103745718289.post-63818635264259000842019-08-12T23:33:00.000+02:002019-08-12T23:33:34.270+02:00quel tipo di focolare<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhc4GkJzQVT38dGnztAYne2ikliUezchPGqj8fSTYaTDX30Z6KDokyT-Oj_rErlQ83tShuC2Ur9uCIFd5hG4g_Kee2ZiPTyFqr4zkb8n9YWTrnMvBv-22MrSjfi-6_5_5ixC-8QTKmXfQ/s1600/La+locanda.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="568" data-original-width="394" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhc4GkJzQVT38dGnztAYne2ikliUezchPGqj8fSTYaTDX30Z6KDokyT-Oj_rErlQ83tShuC2Ur9uCIFd5hG4g_Kee2ZiPTyFqr4zkb8n9YWTrnMvBv-22MrSjfi-6_5_5ixC-8QTKmXfQ/s200/La+locanda.jpg" width="138" /></a></div>
<b><span style="font-family: Arial, Helvetica, sans-serif;">The Inn</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;">(<b>La locanda</b>)</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">(Tratto da <b>Il meglio di Weird Tales 8</b>)</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Rex Ernst</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Fanucci Editore</span><br />
<br />
<div style="text-align: justify;">
C'è un po' di M. R. James, <i>Oh, fischia e io verrò da te, ragazzo mio</i>, <i>Ratti</i> e via di questo passo; poi quella sensazione di riparo che diventa trappola, e sarebbe stato meglio non entrare, forse in se stessi e/o nel prossimo.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com4tag:blogger.com,1999:blog-2119944103745718289.post-19355264504214462782019-08-02T23:22:00.001+02:002019-08-02T23:23:47.987+02:00novembre 1939<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyXTz0PjgWAYxYMUv2eoT2Via4bIiuQIc7_uO_N-uqlkF4Ivibhgi9vniRPwXCXdmjLhbuE6jC3nmtHNpQqJP4TmtKSXHS53ng6o-uf2taq1NM8EpVQ3tY9nHSL7YwrYdhtV7F6QrEXSA/s1600/The+Hunch.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="588" data-original-width="400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyXTz0PjgWAYxYMUv2eoT2Via4bIiuQIc7_uO_N-uqlkF4Ivibhgi9vniRPwXCXdmjLhbuE6jC3nmtHNpQqJP4TmtKSXHS53ng6o-uf2taq1NM8EpVQ3tY9nHSL7YwrYdhtV7F6QrEXSA/s200/The+Hunch.jpg" width="135" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>The Hunch</b><br />(<b>Il presagio</b>)<br />(Tratto da <b>Il meglio di Weird Tales 8</b>)<br />Gene Lyle III<br />Fanucci Editore</span><br />
<br />
<span style="font-family: inherit;">Chi è del campo avrà incontrato altre simili vicende su rotaie.</span><br />
<span style="font-family: inherit;">Qui c'è ansia, gentilezza, Eros e Thanatos, lo stato catatonico, il medicamento "magico".</span>occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com3tag:blogger.com,1999:blog-2119944103745718289.post-13983520831258411952019-07-14T00:19:00.000+02:002019-07-14T00:19:47.869+02:0017 seconds<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6SemmM1M1Kwo5U1wZ5Kp0TOyggDYZACTzbmGvf6wvUTyQS9SP8qkqdlZpNPYXycp56H_3oV8Aylsz1ymrHuwRnJ1LkIGzZRvIPye0pMZPsqW66HOMpPsyL-zH4HzWRTB74zU6iwWKAZg/s1600/Girls+Swinging.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="719" data-original-width="947" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6SemmM1M1Kwo5U1wZ5Kp0TOyggDYZACTzbmGvf6wvUTyQS9SP8qkqdlZpNPYXycp56H_3oV8Aylsz1ymrHuwRnJ1LkIGzZRvIPye0pMZPsqW66HOMpPsyL-zH4HzWRTB74zU6iwWKAZg/s200/Girls+Swinging.JPG" width="200" /></a></div>
<b><span style="font-family: Arial, Helvetica, sans-serif;">Girls Swinging</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;">1897<br />Stati Uniti d'America</span><br /><br />
<div style="text-align: justify;">
Con molto poco si possono raggiungere altezze impensabili. <br />Da un poco, poi, con maggior impegno, il sogno si ampliò.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-62938689928069796042019-06-09T01:42:00.002+02:002019-06-13T10:51:35.492+02:00the wonderful baby<br />
<div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;">
<img border="0" data-original-height="717" data-original-width="990" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhD9YDlsm1yjjNPoKIQym3m1_KmiBROzruuJk7FvtyKLRv-4VBRfQM-L5fuqg0XLu4YSFrv-saKe2gzyWGWClk6If2K2YPM719qyEajRkzLKDQHnuTWbk6_s4mbiWFDxOC3abhtUNYWpI/s200/An+Over-Incubated+Baby.JPG" width="200" /></div>
<div style="text-align: justify;">
<b><span style="font-family: Arial, Helvetica, sans-serif;">An Over-Incubated Baby</span></b></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">1901</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">Regno Unito</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">Regia: Walter R. Booth</span></div>
<br />
<div style="text-align: justify;">
Svilimento per svilimento, a quel punto conviene bruciare (letteralmente) le tappe ed avere già un elemento in stadio avanzato. Gli annunci appartengono al passato, così come gli auguri e tutti i frizzi e lazzi.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com5tag:blogger.com,1999:blog-2119944103745718289.post-62452199702418660852019-05-19T03:17:00.002+02:002019-05-19T03:17:55.536+02:00i guai di un viaggiatore stanco e impersonale<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCnvE8FjqTZ7UxJvR8N_TGz9wnxWjBvWSnV_k1upv9HmZlF4j88Ko7WzqpTqJF3ZVzuJJ31IsXcBmh70MeQT4KGQ6661Nht3rZoQHQNrwqyttZlg8zu8F7yl5HgMl7ewkZx3XMaaMkO-o/s1600/Undressing+Extraordinary.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="719" data-original-width="990" height="145" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCnvE8FjqTZ7UxJvR8N_TGz9wnxWjBvWSnV_k1upv9HmZlF4j88Ko7WzqpTqJF3ZVzuJJ31IsXcBmh70MeQT4KGQ6661Nht3rZoQHQNrwqyttZlg8zu8F7yl5HgMl7ewkZx3XMaaMkO-o/s200/Undressing+Extraordinary.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Undressing Extraordinary</b><br />1901<br />Regno Unito</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Regia: Walter R. Booth</span><br /><br />
<div style="text-align: justify;">
Maschere che si alternano in tutto il lungo viaggio, presumibilmente, perché le vediamo in scena nell'intimità. <br />Borghese, monarca, tutore dell'ordine, squattrinato, ce ne son tante.<br />Colei che tutti pareggia avverte, poi arriva la pioggia purificatrice.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com2tag:blogger.com,1999:blog-2119944103745718289.post-17133190331695757712019-04-28T03:19:00.000+02:002019-04-28T03:19:29.839+02:00The Hasher's Delirium<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmlqDo-HPVzcfLulmJc2XN3zbgWD9udvrDuy-fbScgJhgqF1fycQqgIYgGvegs1IPFf2exWylHJe2oECOZz43qjHbla5kiH5xWo32haSDbxkVTuzvmLyOyk0xb_b4NWQUOrKaJ97zupg/s1600/Le+songe+d%2527un+gar%25C3%25A7on+de+caf%25C3%25A9.PNG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="962" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtmlqDo-HPVzcfLulmJc2XN3zbgWD9udvrDuy-fbScgJhgqF1fycQqgIYgGvegs1IPFf2exWylHJe2oECOZz43qjHbla5kiH5xWo32haSDbxkVTuzvmLyOyk0xb_b4NWQUOrKaJ97zupg/s200/Le+songe+d%2527un+gar%25C3%25A7on+de+caf%25C3%25A9.PNG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Le songe d'un garçon de café</b><br />1910<br />Francia<br />Regia: Émile Cohl</span><br /><br />
<div style="text-align: justify;">
Gli incubi di voracità e vizio prendono diverse forme, dalle più concrete alle più infernali.<br />Ma quando arriva il momento di pagare il conto, il serpente decide che il dito va puntato contro se stessi.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-78423364137828823002019-03-27T02:06:00.000+01:002019-03-27T02:06:03.576+01:00Mr. and Mrs. Hayseed<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9ASiZp7ncSpBrDiM2J3yuhkcSi6Q8b0rYN23u65f9LA34hJlvitMmSKJ2fJ0m7PUbtKVc688biQEUjk7IDHxD6p4dusNXNEglEsRabU1DMGcFov6gnKJn0zxMVDjQkrC1YaOh7Rufiog/s1600/Mesmerist+and+Country+Couple.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="718" data-original-width="883" height="162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9ASiZp7ncSpBrDiM2J3yuhkcSi6Q8b0rYN23u65f9LA34hJlvitMmSKJ2fJ0m7PUbtKVc688biQEUjk7IDHxD6p4dusNXNEglEsRabU1DMGcFov6gnKJn0zxMVDjQkrC1YaOh7Rufiog/s200/Mesmerist+and+Country+Couple.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Mesmerist and Country Couple</b><br />1899</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Stati Uniti d'America</span><br /><br />
<div style="text-align: justify;">
Persone, coppie, presentano un interesse a modernizzarsi anche se in modo, a loro insaputa, contraddittoriamente arcaico. Loro son tronfi, ma, con queste intenzioni, facile è finire nelle ragnatele di abili aracnidi che muovono fili come il più capace dei marionettisti.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com2tag:blogger.com,1999:blog-2119944103745718289.post-23534389463622256312019-03-02T00:39:00.001+01:002019-03-02T00:39:34.332+01:00Cuentos de amor de locura y de muerte<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvqdeezWc7dKHz271iw5mc2kzfzVwWb1uamJQBpnmZKLhj_Kpmq6Pz23IpSVxRHaVNZ0znkIZNGxvqoGmOiNN4nZ2O7beX-kn_zwv7Yf79fghiO_Allo2-kA8es6nYt0KZnSnvmwKnb9k/s1600/Il+cuscino+di+piume.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="273" data-original-width="396" height="137" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvqdeezWc7dKHz271iw5mc2kzfzVwWb1uamJQBpnmZKLhj_Kpmq6Pz23IpSVxRHaVNZ0znkIZNGxvqoGmOiNN4nZ2O7beX-kn_zwv7Yf79fghiO_Allo2-kA8es6nYt0KZnSnvmwKnb9k/s200/Il+cuscino+di+piume.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Il cuscino di piume</b><br />(<b>El almohadón de plumas</b>)<br />(tratto da <b>La prima notte dei vampiri</b>)<br />Horacio Quiroga<br />Giulio Einaudi editore</span><br />
<br />
<div style="text-align: justify;">
Nel profondo, quello invisibile all'esterno, che fa interrogare il prossimo, può nascondersi un'immane insidia. L'amore, la freddezza, la scienza possono tentare un contrasto, con successo o meno.</div>
<div style="text-align: justify;">
L'umano può contenere il bestiale?</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com218tag:blogger.com,1999:blog-2119944103745718289.post-84241151808947196702019-02-17T03:33:00.001+01:002019-02-17T03:33:27.815+01:00question mark<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1DyBpJ4ArtIgp_L_-F1ylR1RVI8j8Fve9Tieu9bzT2EWs4lmRNFSYw-A9O1D7dDSIbmoI8Lp327jBnZsLjvdp5p4gBxd8g6vu17qm7iFM_V2NgJUHv3qlOxCmCfqwDyOx3vBQWPPvNm8/s1600/The+%2527+%2527+Motorist.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="714" data-original-width="836" height="170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1DyBpJ4ArtIgp_L_-F1ylR1RVI8j8Fve9Tieu9bzT2EWs4lmRNFSYw-A9O1D7dDSIbmoI8Lp327jBnZsLjvdp5p4gBxd8g6vu17qm7iFM_V2NgJUHv3qlOxCmCfqwDyOx3vBQWPPvNm8/s200/The+%2527+%2527+Motorist.jpg" width="200" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>The '?' Motorist</b><br />1906</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Regno Unito</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Regia: Walter R. Booth</span><br />
<br />
<div style="text-align: justify;">
Sogni d'evasione, ben prima che missioni motorizzate diventassero fatto, allegoria, metafora.</div>
<div style="text-align: justify;">
Oltre le impomatate leggi terrestri, con un po' di tracotanza, con dubbio infuso.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com4tag:blogger.com,1999:blog-2119944103745718289.post-66358194462635947062019-01-09T02:04:00.001+01:002019-01-09T02:04:22.206+01:00Empire State Express<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlFipxl9F5O34yQTVA-QDxSHZPMrOw18JvsJ6c_BrnuxmYb1KSCq1QLmeIvtFElMHNAmt3m4ky-p9YiMydS26RcGFRIPOtjs2z7CDGKZ0VvhsN4xvZtsdJMbH5Z7BwHyiKiuhrymj2LnQ/s1600/The+Ghost+Train.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="615" data-original-width="949" height="129" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlFipxl9F5O34yQTVA-QDxSHZPMrOw18JvsJ6c_BrnuxmYb1KSCq1QLmeIvtFElMHNAmt3m4ky-p9YiMydS26RcGFRIPOtjs2z7CDGKZ0VvhsN4xvZtsdJMbH5Z7BwHyiKiuhrymj2LnQ/s200/The+Ghost+Train.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>The Ghost Train</b><br />1901<br />Stati Uniti d'America<br />Regia: Frederick S. Armitage</span><br /><br />
<div style="text-align: justify;">
Quelle favolose conquiste con il celeberrimo doppio di gusto amaro. Arrivano festanti, ma già si intravede il lato oscuro, che poi si riconferma nonostante presenzino piccole gemme di positivo.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-27110296362345215782018-12-23T01:33:00.002+01:002018-12-23T01:33:54.627+01:00Der Verlorene <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-xY0A1rWQRY2Wfxl7pBvceqOsST0ku0ph5oQbJa1C0YwdzC4Rj6lCsUKxKar27GRCrCcGd65C-XyQdvEpZm-LRdqK23N80zviJP3u6cTJy5WT4dWX2o3WCq3P5vRanOar4mmvmHBmYaU/s1600/49+95++Tausendjahrekino.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="713" data-original-width="956" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-xY0A1rWQRY2Wfxl7pBvceqOsST0ku0ph5oQbJa1C0YwdzC4Rj6lCsUKxKar27GRCrCcGd65C-XyQdvEpZm-LRdqK23N80zviJP3u6cTJy5WT4dWX2o3WCq3P5vRanOar4mmvmHBmYaU/s200/49+95++Tausendjahrekino.JPG" width="200" /></a></div>
<b><span style="font-family: Arial, Helvetica, sans-serif;">49/95: Tausendjahrekino</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;">1995<br />Austria<br />Regia: Kurt Kren</span><br /><br />
<div style="text-align: justify;">
Si canta del crimine centenario della cattura, per lungo tempo, con piccoli nervosi morsi quotidiani. Infine ci rende conto di esserne partecipi.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com0tag:blogger.com,1999:blog-2119944103745718289.post-36438717460793448842018-12-07T01:38:00.002+01:002018-12-07T01:38:29.951+01:002 for 1!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguIYDYbhQ7YmmpR0NJsx7h0FVL8O0_tKQ8QTu7j0LLuxhUqcjcdLuvIPg-DhAkNayVTHK97EcL1K95UQE0BHsuMHH9fJUuZ3nAGhrbeN7Tab2H1Db1ktvAeymNO5b-cU99seArOLVsbec/s1600/Baby+Doll.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="966" height="148" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguIYDYbhQ7YmmpR0NJsx7h0FVL8O0_tKQ8QTu7j0LLuxhUqcjcdLuvIPg-DhAkNayVTHK97EcL1K95UQE0BHsuMHH9fJUuZ3nAGhrbeN7Tab2H1Db1ktvAeymNO5b-cU99seArOLVsbec/s200/Baby+Doll.JPG" width="200" /></a></div>
<b><span style="font-family: Arial, Helvetica, sans-serif;">Baby Doll</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;">1982<br />Stati Uniti d'America<br />Regia: Tessa Hughes-Freeland</span><br /><br />
<div style="text-align: justify;">
Da una base eversiva o indebolita da questo punto di vista, nasce una destrutturazione inaspettatamente e volutamente vicina ad idee non sorprendenti. Anche la forma regge questo gioco, deragliando tutto verso una sorta di straniamento.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com7tag:blogger.com,1999:blog-2119944103745718289.post-80762239041393638912018-10-22T01:38:00.000+02:002018-10-22T01:40:06.074+02:00torrente<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCczY3MJ83IMNPETz3ubD1s6xlVeqrr2EdNzoA1jlHHtgAIKdhW7JUBV0zfC_FLUvo-GHCFbabQAuWRQn9AlpSSsfiXv_8pcrECICqcmUjCtD4tP5lbaW5re2mLG8pBNPz1xSEJeCZU-A/s1600/Cineblatz.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="719" data-original-width="961" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCczY3MJ83IMNPETz3ubD1s6xlVeqrr2EdNzoA1jlHHtgAIKdhW7JUBV0zfC_FLUvo-GHCFbabQAuWRQn9AlpSSsfiXv_8pcrECICqcmUjCtD4tP5lbaW5re2mLG8pBNPz1xSEJeCZU-A/s200/Cineblatz.JPG" width="200" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Cineblatz</b><br />1967<br />Regno Unito</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Regia: Jeff Keen</span><br />
<br />
<span style="text-align: justify;">Televisione, riviste, giornali, manifesti, film; ora anche social network, applicazioni, siti internet, canali tematici...</span><br />
<div style="text-align: justify;">
Da un fiume in piena si può pescare, ma è difficile avere tutti i pesci del fiume.</div>
<div style="text-align: justify;">
Pop che racchiude bene, male e neutro.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-15758480952521693852018-09-22T02:40:00.002+02:002018-09-22T02:40:49.292+02:00l'ultimo cinguettio<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga1Fw7RZpfj1Bka2Gyd6ymJMlXqzvX-lSqhAWh6okHkGLWqH2dkw8T1Ywn-ZghxiZDVG05S109RbNhFYnqPQqM2m5SxtVp2yyoWidRUPtbKjLpLL8Fe6b-cSunALY3EeI5A2cy6UsPXTw/s1600/Birds.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="643" data-original-width="959" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga1Fw7RZpfj1Bka2Gyd6ymJMlXqzvX-lSqhAWh6okHkGLWqH2dkw8T1Ywn-ZghxiZDVG05S109RbNhFYnqPQqM2m5SxtVp2yyoWidRUPtbKjLpLL8Fe6b-cSunALY3EeI5A2cy6UsPXTw/s200/Birds.JPG" width="200" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Birds</b><br />1968<br />Paesi Bassi<br />Regia: Frans Zwartjes<br />Scritto: Frans Zwartjes</span><br />
<br />
<div style="text-align: justify;">
Coccoliamo la finzione, veniamo spiati mentre ci crogioliamo con imitazioni della vita. Non siamo mai saturi di ciò; crediamo di vedere il cielo, ma in realtà siamo bloccati in una staticità asfissiante.<br />
È il nostro gran finale.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-34092100858329912132018-08-24T02:33:00.000+02:002018-08-24T02:33:52.166+02:00un gallo in castigo<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU9xGnueQqpq_UYm_SfPX9_ybTorc2FJ07c1OBeZB53scgng_28QHZYBwkQwwc-q1nHp3sOuAVhY7OvLszhCBLghY6oXOF3Il2fsHICcJKY9yGuGXFnBROElMf8cibsKiERbHlg8HORpI/s1600/Ah%2521+La+barbe%2521+.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="703" data-original-width="938" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU9xGnueQqpq_UYm_SfPX9_ybTorc2FJ07c1OBeZB53scgng_28QHZYBwkQwwc-q1nHp3sOuAVhY7OvLszhCBLghY6oXOF3Il2fsHICcJKY9yGuGXFnBROElMf8cibsKiERbHlg8HORpI/s200/Ah%2521+La+barbe%2521+.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Ah! La barbe!</b><br />1906<br />Francia</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Regia: Segundo de Chomón</span><br /><br />
<div style="text-align: justify;">
I molteplici lati segreti che concimano il narcisismo non son difficili da scoprire, possono venir fuori senza preavviso, magari attizzati dall'ingordigia verso se stessi. La follia, che si oppone con convinzione; il paravento intellettuale, che prova fastidio per l'altro; l'infantilità, che deride. </div>
<div style="text-align: justify;">
È inutile reprimerli con la forza, è come colpire con un maglio la propria persona.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-86990316690049040902018-07-21T02:06:00.001+02:002018-07-21T02:06:09.746+02:00tremolio<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3IcErVQl8TAJBITS9vdriLg5CrmBtH1KzizUVZYiTW8dT9erf8plEHVh_r_OG5G6ftGGCWYFoMxwf-F1lx184eUxImFyBIigCKbHHPOlhRfRVfiCNQEBBfUj0cexPdC2JAVmddkaXZ0Y/s1600/44+85++Foot%2527-age+Shoot%2527-out.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="477" data-original-width="599" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3IcErVQl8TAJBITS9vdriLg5CrmBtH1KzizUVZYiTW8dT9erf8plEHVh_r_OG5G6ftGGCWYFoMxwf-F1lx184eUxImFyBIigCKbHHPOlhRfRVfiCNQEBBfUj0cexPdC2JAVmddkaXZ0Y/s200/44+85++Foot%2527-age+Shoot%2527-out.JPG" width="200" /></a></div>
<b><span style="font-family: Arial, Helvetica, sans-serif;">44/85: Foot'-age Shoot'-out</span></b><br />
<span style="font-family: Arial, Helvetica, sans-serif;">1985</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Austria, Stati Uniti d'America<br />Regia: Kurt Kren</span><br /><br />
<div style="text-align: justify;">
Più ci si avvicina e più c'è agitazione. Il decennio, ben noto, gridava jogging e caratteri su monitor. E altezze ed edonismo. E luci e muri. E specchi ed etichette. E morsi e...</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-35695342152447375692018-06-27T00:48:00.000+02:002018-06-27T00:54:33.069+02:00c'è<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyblVTMTqVgIe85W-qgFpazG4vTRhqsE3P8Ty94yvco9J-_dXzEmzxsoE6-KlvLmVANnSbkpXvfGhpeabBwWB-dL_v_X2ixaYTGKa42a1mI6g36SDUEUp4SM2JrwlgoQhkX9dkImRQl44/s1600/42+83+No++Film.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="598" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyblVTMTqVgIe85W-qgFpazG4vTRhqsE3P8Ty94yvco9J-_dXzEmzxsoE6-KlvLmVANnSbkpXvfGhpeabBwWB-dL_v_X2ixaYTGKa42a1mI6g36SDUEUp4SM2JrwlgoQhkX9dkImRQl44/s200/42+83+No++Film.JPG" width="200" /></a></div>
<b><span style="font-family: "arial" , "helvetica" , sans-serif;">42/83: No Film</span></b><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">1983<br />Austria<br />Regia: Kurt Kren</span><br />
<br />
<div style="text-align: justify;">
Quello che potrebbe esser fatto imprevedibile, infine non è, e lo stupore è insito nella mancanza di meraviglia.<br />
Ottanta già entrati da un po', ma fedeltà alla chimica.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com1tag:blogger.com,1999:blog-2119944103745718289.post-65217850466619419452018-04-29T03:06:00.000+02:002018-04-29T03:07:12.419+02:00Société des Etablissements L. Gaumont<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ7gHX5pLVEhnLQHPUHs1vTcZRoiOp5kJs8YC5U8mpjvW5joWRYzHKc35pE3Y3LPQomWzhLC6EBpGRbg4WOk0cogP-jnypOUAeDyHEBlry-r6yQXhYj1P01soBASeUc2nII3bMxJ6-lRU/s1600/Fantasmagorie.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="459" data-original-width="573" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ7gHX5pLVEhnLQHPUHs1vTcZRoiOp5kJs8YC5U8mpjvW5joWRYzHKc35pE3Y3LPQomWzhLC6EBpGRbg4WOk0cogP-jnypOUAeDyHEBlry-r6yQXhYj1P01soBASeUc2nII3bMxJ6-lRU/s200/Fantasmagorie.JPG" width="200" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><b>Fantasmagorie</b><br />1908</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Francia<br />Regia: Émile Cohl</span><br />
<br />
<div style="text-align: justify;">
Una mano, un aiuto per volare, incarnando chiunque, eliminando qualsiasi steccato, senza pause. Magia.</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com3tag:blogger.com,1999:blog-2119944103745718289.post-59801079772148120762018-04-03T03:01:00.001+02:002018-04-03T03:01:38.977+02:00guardando da vicino<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjYpEeDY2PJWYL6fCmj-N4qgJH_gLRB1WbN8mT5sDCyfO19imcw076Yo9N5sLRtrBiQp3FRSKxIJXQJALo1pv8tSQQRSYLa1LL4X0Bo099wtAtnM3HtdMjLGytu9Z-MiBIHAqBEuEVhbI/s1600/36+78++Rischart.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="468" data-original-width="634" height="147" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjYpEeDY2PJWYL6fCmj-N4qgJH_gLRB1WbN8mT5sDCyfO19imcw076Yo9N5sLRtrBiQp3FRSKxIJXQJALo1pv8tSQQRSYLa1LL4X0Bo099wtAtnM3HtdMjLGytu9Z-MiBIHAqBEuEVhbI/s200/36+78++Rischart.JPG" width="200" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>36/78: Rischart</b><br />1978<br />Austria</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Regia: Kurt Kren</span><br /><br />
<div style="text-align: justify;">
C'è o non c'è? Cosa pensa la realtà di noi? Ci vuole presenti o meno? Forse ci vuole sfumati, accennati, ambivalenti o multipli. In quale forma? Quanto luminosi? Immobili o in movimento?</div>
occhio sulle espressionihttp://www.blogger.com/profile/14825768722893715391noreply@blogger.com14